Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Fiction Southwest Books of the Year (2026) Set across Arizona's high and low deserts, these stories explore the fragile and fading mythos of the American West. A police officer in Quartzsite faces off in a pistol duel with an old high school bully.

An elderly widower helps his neighbor drag a dead horse to the Prescott countryside. An undocumented family flees their Valley home in the aftermath of SB 1070. Through moments of tension and tenderness, these stories peel back the stoic façade of the West to reveal the vulnerabilities beneath, showing how the harsh Arizona landscape shapes its people and their choices.

There's also some Waylon Jennings. Praise for The Lowest Basin: Arizona Stories and Jonathan Danielson These are tales of a New West, quieter than the action in old Westerns but louder in the depths of the heart. These stories concern themselves best with the everyday, which is always complex and not easy to navigate, much less survive.

So much of the language in these stories works to define the West, though there is no dictionary here. Instead, these are lives lived. These stories fill a need in the literature of the West, and that need is here filled elegantly. -Alberto Rios, Poet Laureate of Arizona and author of nA Good Map of All Things The Lowest Basin isn't just a sprawling portrait of life in contemporary Arizona, it's a wide-ranging and empathetic depiction of the trials we face every day.

Like suburban pool decks and the concrete of the 101 and desert rocks that gather heat under the midday sun, these stories, dense and surprising, hold their warmth long after sundown and the book's final pages. In his debut collection, Danielson has created a vivid cast, and made a memorable stretch of desert that much more indelible. -Emily Nemens, author of The Cactus League It's not hard to imagine the ghost of Charles Portis sliding into a barstool and buying Jonathan Danielson a shot, then telling him to go to hell on account of the stories in The Lowest Basin being so gritty and honest. With each passing story, this collection resonates more and more, creating an atmosphere that is utterly convincing.

Danielson's rendering of Arizona is disarming in the way it brings a deep humanity to a people that those in the coastal cities so often-so unfairly-judge. The Lowest Basin reveals a writer who knows his home state better than many of us know ourselves. -Ross McMeekin, author of