n nWith the release of Aesthetics Volume II, the Hildebrand Press introduces English readers to a major new work of philosophical aesthetics.n nWritten in the early 1970s during the last years of his life, as if harvesting a lifetime of reflection, Dietrich von Hildebrand's Aesthetics is a uniquely encompassing work.n nThe first volume develops an original theory of the beautiful, and the second applies that theory with tremendous breadth and attention to the various types of artwork and to many of the world's most beloved works of art.n nIt is a testament to the work's broad significance that two of the most respected voices in contemporary aesthetics have joined together to offer forewords to each volume: Dang Gioia to Volume I, and Sir Roger Scruton to Volume II.n nSir Roger Scruton writes on Volume II: In this second volume of his treatise on the subject Hildebrand assembles the results of a lifetime's thought about the arts, and expresses his devotion to beauty in terms that the reader will find immediately engaging.n nHe continues: Most philosophers of aesthetics content themselves with a few examples from the realm of art, and make no attempt to explore the distinct disciplines or to catalogue all the parts that contribute to the overall aesthetic effect. One purpose of this second volume, however, is to show the completeness of the artistic enterprise, and the way in which it penetrates human life in its entirety, so that the idea of beauty enters our practical activity at every point.n nDietrich von Hildebrand's Aesthetics occupies a place in the great philosophical aesthetic tradition of Plato, Kant, and Hegel, while incorporating the fresh and fundamental insights of phenomenology. With this publication of the first English translation, Dietrich von Hildebrand becomes a contemporary spokesman and defender of the importance of beauty and aesthetic values at a time when many think that beauty is relative and art unnecessary.n